Peach peonies, gilt-rimmed glasses and a coral menu on a reception table at Château Bonnaventure
Château Bonnaventure

Château Bonnaventure
wedding cake

For a wedding in the quiet of Château Bonnaventure, I design a sugar paste cake to match its scale and its stillness. Sculpted by hand in Paris, brought to you in person. I am Ange Gimenez.

A cake imagined
for Bonnaventure.

I am Ange Gimenez, a Paris-based wedding cake designer specialising in hand-sculpted sugar paste. For couples marrying at Château Bonnaventure, I design a bespoke cake conceived for the room, the light, and the close quarters of a smaller celebration, where every guest sees the piece from a few feet away.

A small room asks more of a cake, not less. It will be seen from close range, all evening, by the people who know you best. So I design for that scrutiny from the first sketch: a piece that earns its place on the table and seems to have grown there.

Bonnaventure is the kind of venue couples reach through a planner or a quiet recommendation, not a hashtag. The setting asks for restraint rather than spectacle, which is exactly the brief I enjoy most. For a wedding here, I would build a cake that belongs to the spirit of the place: refined, honest, made to be looked at slowly.

My instinct for a venue of this scale is to let detail carry the piece. Large sculptural flowers read beautifully against stone and the soft daylight of a country reception room, so I would lean into an ivory, cream, and pale botanical palette. Nothing that competes with the architecture. Everything that flatters it.

Whatever the design, every sugar petal is shaped by hand over two to four weeks in Paris. The point is not only a cake that survives a warm afternoon. It is a cake that looks better in the last photograph of the night than in the first, because it was made for close attention.

I would deliver and place the cake at Bonnaventure myself. I work this way at every venue: I think first about how your guests experience the room as they walk in, then set the cake exactly so, with nothing rushed and nothing left to chance.

Coral wedding stationery with dried orange slices, flat lay from a Château Bonnaventure wedding

Why I work
in sugar paste

A smaller venue is unforgiving: the cake is seen from a few feet away, all evening. Sugar paste is what lets that closeness become an asset rather than a risk. Here is why, plainly.

01

Steady when the room warms

Country weddings open their doors to the garden and the late sun. Buttercream slides and pits as the air heats; sugar paste does not move. The cake you see at the first toast is the same cake your guests photograph at the last dance, edges crisp, surface clean, form intact.

02

Built to reward a close look

In a small room, every flower is examined. I shape each one by hand, petal by petal, never piped or printed. A single peony can take the better part of an hour. That patience is precisely what holds up when the cake sits an arm's length from the people who matter to you.

03

Height when the moment calls for it

Smaller need not mean small. Sugar paste carries the structure for tall, multi-tiered pieces, the kind behind my eight-tier Fally with its hundred and fifty hand-made wafer paper flowers. Whether your Bonnaventure cake is a quiet three tiers or something taller, the medium makes it possible.

04

Placed by the hands that made it

No courier ever carries my work. I drive each cake to the venue, set it on the table, and adjust it until the flowers and the light agree. In a house of this scale, where the table placement and the daylight decide everything, that is not a flourish. It is the only way I will deliver.

Venues I design for

A small country château and a Place Vendôme ballroom ask for very different cakes. I read each setting on its own terms, then design something that could only belong there.

White four-tier wedding cake with hand-sculpted sugar lace against a sky-blue backdrop, studio piece by Ange Gimenez
Seine-et-Marne · 40 min from Paris

Château de Ferrières

White wedding cake on a pedestal between floral urns at the portico of Château de Champlatreux
Val-d'Oise · North of Paris

Château de Champlatreux

Newlyweds beside a small white wedding cake with hand-sculpted sugar flowers against a stone wall, the register I would bring to a Paris hôtel particulier
Paris, 75 · All Arrondissements

Hôtels Particuliers of Paris

Couple cutting a tall white wedding cake with a sparkler at Château de Ferrières, black and white, the register I would design for a Paris palace
Place Vendôme · Paris 1er

Ritz Paris & Palace Hotels

Available upon inquiry · The Ritz · Le Bristol · Crillon · Plaza Athénée · George V

How a wedding cake
comes to life

1

A First Conversation

I want to hear about it all before anything is drawn. Your setting, your taste, the mood you want the table to hold. I ask, then I listen. No form to fill, just an honest exchange about the day you are planning.

2

The Design

I come back with a direction shaped to Bonnaventure: the tiers, the flowers, the palette of ivory and soft botanicals. I refine it with you until it feels right, then confirm the dates and the logistics.

3

The Sculpting

In the two to four weeks before your wedding, the cake takes shape in Paris. Each flower is sculpted, each petal dried and set by hand. The tiers are built and dressed only in the final days, so the cake is at its freshest.

4

The Delivery

I drive the cake to the château myself, carry it in with care, and set it in place. I adjust until the presentation is exactly right, then leave. Your planner has one less thing to hold in mind.

Ange made the perfect wedding cake. Not only was it beautiful, but both flavours were absolutely delicious, and all our guests were raving. We now have her as our top recommended cake supplier at our wedding venue, Château de Pont Bourguet.

Hannah Mirbach · Château de Pont Bourguet · Google Review

Couple beside a tall white wedding cake with orange sugar flowers and coloured candles in a panelled salon at Château Bonnaventure
8
Tiers
150+
Wedding Cakes Sculpted
Paris
& Worldwide
Delivery
2–4
Weeks of Craft

Answered before
you have to ask.

Because I accept only a small number of weddings each year, I ask couples to reach out as soon as their date is set. Six to twelve months gives me room to design something shaped around your day rather than adapted to it. Summer dates close first. If yours is sooner than that, write to me anyway, and I will tell you honestly whether I can do it the justice it deserves.
Yes, always. A cake of this kind is never handed to a courier. I sculpt it in Paris, drive it to your venue, place it on the table, and stay until the tiers, the flowers, and the daylight all read as they should. In a room where your guests see the cake from a few feet away rather than across a ballroom, that personal delivery is the whole point, not an extra.
Sugar paste keeps its form when the room warms, when the doors open onto a summer garden, when the celebration runs late. Buttercream softens and slumps under the same conditions. Sugar paste is also what lets real height and hand-sculpted detail survive the journey and a long evening of close attention. For a venue where the cake is examined up close all night, it is simply the medium that earns the scrutiny.
Every commission is bespoke and quoted on its own terms. The figure follows the number of tiers, the level of sugar sculpture, the guest count and the distance to your venue. I do not publish a price list. I share a detailed proposal after a first conversation, with no obligation to proceed. Travel and installation are quoted with the cake, so the figure you receive is final. How a commission unfolds, from first conversation to installation, is described on my services page.
That is exactly how I would approach it. I start from the room, the light, and the feeling of the place, then build a cake that belongs there: soft ivory and botanical tones, sculptural flowers set against stone, nothing that competes with the architecture. The aim is a piece that looks as though it could have been made for that table and no other, never a generic design dropped into a beautiful setting.
Yes. Paris is my base, but my work travels: I design for weddings across the French countryside from Provence and the Loire to the Riviera. I deliver every commission myself across France and, on commission, abroad: Kenya among them. Travel and installation are quoted with the cake, so the figure you receive is final. If your celebration sits far from the city and you have found your way here, please write to me.

Other châteaux & estates
I design for.

The full map, region by region: wedding cakes in France.

Tell me about
your day.

I take around thirty commissions a year, so each piece has my full attention. If you are planning a wedding at Château Bonnaventure or anywhere in France, I would love to hear from you.

Based in Paris, available worldwide.
Write to me six to twelve months before the date.

About you

Preferred language*

Your day

Type of event*

Your vision

I read every inquiry personally and reply within 48 hours.